17,691 Royalty-Free Audio Tracks for "Midi Files Of Musical Scales In B"

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Schubert - op.9 D.365, mm.17-24. Modulation using German sixth in new key, enharmonic to dominant seventh in old key.
Author: Hyacinth
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*1 step in 11 equal temperament on C. Equal-tempered: 22/22:1 = 109.09 cents. MIDI pitch bend: 116,66
Author: Hyacinth
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*26 steps in 72 equal temperament on C. Equal-tempered: 226/72=13/36:1 = 433.33 cents. MIDI pitch bend: 85,74 Created in Sibelius with midi pitch bend on 75 for 434.375 cents rather than 433.342. New version a M3 on 85,74 for 433.3251953125 cents rather than 433.342.
Author: User:Hyacinth
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*22 steps in 72 equal temperament on C. Equal-tempered: 222/72=11/36:1 = 366.67 cents. MIDI pitch bend: 43,53 Created in Sibelius with midi pitch bend on 85 for 365.625 cents rather than 366.674. New version a m3 on 42,85 for 366.6503906250 cents rather than 366.674.
Author: User:Hyacinth
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*1 step in 36 equal temperament/6th tone on C. Equal-tempered: 22/72:1 = 33.33 cents. MIDI pitch bend: 85,74
Author: Hyacinth
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*2 steps in 7-et on C. Equal-tempered: 22:7:1 = 342.86 cents. MIDI pitch bend: 91,77
Author: Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on m3 on ~92,77 for about 342.86 cents.
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*Superminor third on C = D♯-. 17:14 = 336.13 cents. Limit: 17-limit.
Author: Hyacinth
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*1 step in 7-et on C. Equal-tempered: 21/7:1 = 171.43 cents. MIDI pitch bend: 110,54
Author: Hyacinth
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Harmonic Scale chromatic on C.
Author: Created by Hyacinth (talk) 09:13, 15 January 2012 (UTC) using Sibelius 5.
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Dominant thirteenth chord in Claude Debussy's Prelude to the Afternoon of a Faun (1894). Created by Hyacinth (talk) 02:50, 5 July 2009 using Sibelius 5.
Author: This file is lacking author information.
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D Eb C B = D S C H = Dmitri Schostakovich.
Author: Hyacinth
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*1849th harmonic (H43/H43) on C = B♭-. Just: 1849/1024 = 1023.04 cents. Limit: 43-limit. MIDI pitch bend: 47,71
Author: Hyacinth
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*2197th harmonic on C = D-. Just: 2197/2048 = 121.58 cents. Limit: 13-limit. MIDI pitch bend: 116,70
Author: Hyacinth
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*1073rd harmonic on C = C♯+. Just: 1073/1024 = 80.92 cents. Limit: 37-limit. MIDI pitch bend: 114,57
Author: Hyacinth
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*1369th harmonic on C = E+. Just: 1369/1024 = 502.69 cents. Limit: 37-limit. MIDI pitch bend: 110,64
Author: Hyacinth
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*1147th harmonic on C = C+. Just: 1147/1024 = 196.38 cents. Limit: 37-limit. MIDI pitch bend: 107,94 on m2
Author: Hyacinth
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*1025th harmonic on C = B♯. Just: 1025/1024 = 1.69 cents. Limit: 41-limit. MIDI pitch bend: 69,64
Author: Hyacinth
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*Euler's number (e) on C. e/2 = 2.71828/2 = 531.23 cents. MIDI pitch bend: 127,73
Author: Hyacinth
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Alpha scale harmonic seventh chord on C. MIDI pitch bend matches intervals.
Author: Hyacinth at en.wikipedia
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*Euler's number (e) on C. 2.71828 : 1 = 1731.23 cents. MIDI pitch bend: 127,73
Author: Hyacinth
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*Quarter-comma meantone minor third on C. 6:5÷(81:80)1/4 = 310.26 cents.
Author: Created by Hyacinth (talk) in Sibelius 5. Midi pitch bend on 38,67 for about 310.3 cents rather than 310.
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Just harmonic seventh chord on C. Created by Hyacinth (talk) 18:59, 10 November 2011 with Sibelius 5.
Author: Hyacinth at en.wikipedia
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Scarlatti Sonata K319, bars 62-80, octatonic descending bassline
Author: Domenico Scarlatti
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*Unison on C = C. Just: 1:1 = 0 cents. Equal-tempered: 20/12:1 = 0 cents. Limit: 3-limit.
Author: Hyacinth (talk) (Uploads).
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G7alt chord.
Author: Created by Hyacinth (talk) in Sibelius.
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Seventh suspension four chord on C. Created by Hyacinth (talk) 20:28, 31 May 2011 (UTC) using Sibelius 5.
Author: Hyacinth at English Wikipedia
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C triad with doubling. Created by Hyacinth (talk) 23:44, 5 November 2011 (UTC) using Sibelius 5.
Author: User:Hyacinth
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[Dominant] eleventh chord in F, on C (C11). "As it appears in actual music": C, —, G, B, D, F.
Author: User:Hyacinth
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The Carpenters chord notated in C Major. Dominant 9sus4 chord in C major: G9sus4.
Author: Hyacinth
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Augmented triad on D.
Author: Hyacinth at en.wikipedia
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Dominant thirteenth chord (V13) in F major (C E G B♭ D).
Author: Created by Hyacinth (talk) 18:58, 1 July 2009 using Sibelius.
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Half-diminished seventh chord on C
Author: Hyacinth (talk) (Uploads)
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*Augmented eleventh on C = F♯'. Equal-tempered: 218/12:1 = 1800 cents. MIDI pitch bend: none
Author: Hyacinth (talk)
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Viennese trichord as dominant. Created by Hyacinth (talk) 21:31, 4 July 2010 using Sibelius 5.
Author: Hyacinth at English Wikipedia
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Dominant form chord: Dominant flat ninth chord preceding tonic chord and possessing a primary dominant function.
Author: Hyacinth
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Major triad on C: C E G. In root position, 1st inversion, 2nd inversion, then at the octave in root position.
Author: Hyacinth
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Tritone substitution and altered chord as, "nearly identical". Chords: C7, F♯7, and C7 +9 +5: Root 3rd 5th 7th 9th 11th 13th C
Author: Hyacinth at English Wikipedia
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*Augmented fourth on C = F♯. Equal-tempered: 26/12:1 = 600 cents. MIDI pitch bend: none
Author: Hyacinth (talk)
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Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C♮ to C♯ between the second and third chords. Note that there is no common chord.
Author: Created by Hyacinth (talk) 03:29, 21 March 2010 using Sibelius 5.
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Violoncello chord on C. Created by Hyacinth (talk) 09:16, 12 June 2010 using Sibelius 5.
Author: The original uploader was Hyacinth at English Wikipedia.
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Barbershop bell chord. Pitch bend matches just intervals.
Author: Hyacinth
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Alpha scale major triad on C. MIDI pitch bend matches intervals.
Author: Hyacinth at English Wikipedia
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Tritone substitution (for V) notated as Italian sixth.
Author: Created by Hyacinth (talk) 04:49, 10 May 2010 using Sibelius 5.
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*19th harmonic on C = E19♭. Just: 19:16 = 297.51 cents. Limit: 19-limit. MIDI pitch bend: 26,63
Author: Created by Hyacinth (talk) in Sibelius 5 with midi pitch bend on 26,63 for 297.509766 rather than 300.
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